Yes I am a Beastie Boys fanboy. As Johnny Cash said so well, “until you know my shame you really don’t know me”. I grew up on New Jersey playgrounds, cursing (not “cussing”, that’s what rednecks in FL did) my head off since I was ten. To me, my brother’s actual name was jerk-off. I just didn’t know any better. I hit punk right on the mark around the age of 12 – I remember my dad walking into my room and hearing someone on my favorite NY radio station say something rude and what in the world was I listening to and me replying “I don’t listen to the words, just the music”. New wave was next and swept us all up, smashing molds and bringing sweet melodies and new sonic fabrics. And then came hip hop in the form of Run DMC and Beastie Boys and Public Enemy, and it was loud and strong, and continued to rip the fabric of everything that came before it – literally in this case. The industrial music of Ministry and Meat Beat Manifesto was the last great one for me. From then on, everything else was just recycling – Grunge, Shoegaze, LoFi, whatever – I’d heard it all before. <\/p>\n
I guess this is the definition of being old. I have become one of those “classic rock” fanatics that I never understood during my youth. But when we were young, each of those early changes meant something to us, ripping off the lid on something brand new and knocking us to the floor, winded.<\/p>\n
And I could feel my roots when I turned up the Beastie Boys. They are smart-ass New Yorkers with ADD. Like FAMILY. :P<\/p>\n
If your sophomoric sense of humor remains intact, you may continue to enjoy their craft. This album went through extra refinement (due to MCA’s cancer battle, keep on good man) like a fine wine. Peace out to life-lovin’ cancer-fightin’ vegan-tryin’ Yauch, who directed this joint… WARNING: EXPLICIT CONTENT, this is not for women or children or anyone else with any sense or maturity whatsoever. Self-parody at its finest. And check the crew they brought for this one, stellar.<\/p>\n